The corpus of cultural magazines, from which data have been systematically collected, was designed in accordance with the overall research goal to investigate the dynamics of transatlantic exchange within the Spanish-speaking cultural world in two phases of modernization between 1890 and 1936, and to map the two aesthetic currents of Modernismo and the avant-garde.
In compiling the data, we followed a number of criteria to ensure that the data corpus was as meaningful as possible: